Julie Goodnight just finished filming the first five episodes in her new makeover-style TV series, Horse Master. Goodnight—known for her easy to understand teaching style and her appearances at horse expos everywhere—works with a new equestrian and equine in each episode. You’ll get to know each rider and all she hopes to achieve with her horse. Next you’ll meet the horse—and see the problems that keep the rider’s goal from becoming reality. As the horse master, Goodnight steps in to work with each horse then trains the rider to be the best leader possible. Each rider gains skills and learns training tips to help her master her dreams.
Goodnight begins her series on her own turf—in the heart of Colorado. In the premiere episode, filmed at Meadow Creek Farms in Longmont— http://www.meadowcreekfarms.net — Goodnight meets Helen and her Friesian named Peter. The pair is recuperating after two intense accidents. Goodnight helps Helen relax, create a plan, and begin to confidently work with her tall horse. You’ll see the spooks and learn how to teach your horse to relax with advance and retreat techniques. Watch the show February 6, 2008 at 5:30 EST.
After Sharon’s recent surgery, she’s excited to get in shape for show season and learn the skills she needs to be the best rider possible for her experienced dressage horse. Sharon looks to Goodnight to learn collection techniques. Stay tuned for a great story of a beautiful horse and his dedicated rider. Watch on February 13, 2008.
In the next episodes, Goodnight helps a youth rider learn to work with her new horse—and prepare for upcoming 4-H shows. She’ll help young Kelsey take charge—and avoid getting pushed and prodded by her too-friendly horse. Goodnight also helps a young horse learn the ground manners she needs before beginning under-saddle work. Watch on February 20, 2008.
On February 27, 2008 watch Goodnight work with Pamela—a veteran horse owner with a youngster who is quite a handful. You’ll learn what to do with a pushy foal and how to teach a filly how to behave like a lady. Stop her from being pushy on the ground and start to teach her the manners you demand.
You’ll find great tips and lessons within each rider’s progress story. Join Julie Goodnight and learn how you can be the ultimate, confident, calm, and kind horse master.
Call to Action
Do you think you and your horse have the perfect story and problem for the Horse Master? Goodnight will film her next episodes in Florida (filming in late February, 2008) and Arizona (May, 2008). Download an application at http://www.horsemaster.tv —bonus! The first 10 applicants to send in a complete packet with video receive a free Templeton Thompson CD! Thompson sings Goodnight’s theme song, “Cowgirl Creed.”
Limited commercial advertising space is still available. Contact horsemaster@juliegoodnight.com for information. Contracts are available for six months and one-year terms. Expand your product’s reach by branching out to TV advertising. Target your brand to women horse owners watching an all-female-produced show.
Visit http://www.juliegoodnight.com and http://www.horsemaster.tv for more information about the show, or to shop at Goodnight’s online store—stocked with DVDs, training supplies and logo wear.
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Thursday, January 17, 2008
Tuesday, January 15, 2008
Julie Goodnight Tip of the Month, January
FOR IMMEDIATE RELEASE
Julie Goodnight Tip of the Month
Contact:
Goodnight Training Stables, Inc./ Horse Master with Julie Goodnight RFD-TV Show
PO Box 397, Poncha Springs, CO 81242
(719) 530-0531
press@juliegoodnight.com
PONCHA SPRINGS, Colo. January 15, 2008— Have you ever had an ad drop out at the last moment—or a space that didn’t sell before printing deadline? Or has someone turned in a story that’s just a little too short? Julie Goodnight to the rescue. Goodnight—known for her clear communication in print and on her new RFD-TV show, Horse Master with Julie Goodnight—provides a tip each month for use when you, as an editor, need just a little more content or a great quip to fill out your magazine. Tips may be edited for style, length and content. Content is provided free of charge. Here’s the fifth of 12 tips to help you when you’re in a layout crunch . . .
Save Your Horse’s Mouth, Stop with Your Seat
You probably learned to “kick to go” and “pull to whoa” from the very start of your riding career. While this simplistic view of communicating with your horse may get you through the first few rides, you want to learn some finesse. While all the natural aids are important to master— seat, legs, hands and voice—your horse will feel your seat aids first. When you make sure that you’re using your seat correctly, you won’t have to pull so hard to make your horse whoa. Your refined and combined cues will save your horses mouth and ensure your horse gets your message as soon as possible.
No horse wants you to pull on the reins. Even with the lightest touch, your backwards rein cue means your horse feels metal in his mouth. What’s more, most horses want to stop; they’re fundamentally lazy and usually don’t need tons of rein pressure to stop. Your horse will be glad to stop when he feels your seat cue and before he feels pressure from the reins and bit. Sadly, most horses don’t know their riders want to stop until they feel a pull on their mouths. They haven’t been given the gift of a gentler aid given before a panicked pull on the reins. Learn to cue your horse in a sequence so he can learn to stop with subtle cues. Before you pull on the reins, make sure to say “whoa” and sit down on your pockets. This sequence—providing voice and seat aids before rein aids—will save your horse’s mouth and make him a happier, more willing partner.
END OF SHORT VERSION, PROCEED AS SPACE ALLOWS.
When you are in a balanced position on your horse, you are positioned directly over his center of gravity. He can feel your two seat bones pressing into the very sensitive part of his back. He can also feel your center of gravity in synchronization with his. To ask your horse to stop using your seat aid, simply exhale, drop your shoulders down toward your hips and feel your two seat bones push down and forward into his back. Your center of gravity shifts toward your horse’s hind end. As you sit down, your legs will naturally relax and move off the horse’s sides. This seat/weight cue is very easy for your horse to feel. When he has the option to respond to your stopping cue before he feels you pull on his mouth, he’ll happily and promptly stop.
Don’t hesitate to use your reins as reinforcements to your seat aid if your horse doesn’t respond right away. Continue to cue your horse with your seat before the reins and he’ll eventually figure out your new sequence of cues. Keep repeating until you see a difference. In my five-DVD series on riding, Goodnight’s Principles of Riding, there are comprehensive explanations and demonstrations of how to ride in balance and rhythm with the horse, how to use your natural aids for soft and subtle communication and advanced skills such as canter, lead changes, collection and lateral movements. Available from my website at http://www.juliegoodnight.com.
--Julie Goodnight, juliegoodnight.com
Julie Goodnight Tip of the Month
Contact:
Goodnight Training Stables, Inc./ Horse Master with Julie Goodnight RFD-TV Show
PO Box 397, Poncha Springs, CO 81242
(719) 530-0531
press@juliegoodnight.com
PONCHA SPRINGS, Colo. January 15, 2008— Have you ever had an ad drop out at the last moment—or a space that didn’t sell before printing deadline? Or has someone turned in a story that’s just a little too short? Julie Goodnight to the rescue. Goodnight—known for her clear communication in print and on her new RFD-TV show, Horse Master with Julie Goodnight—provides a tip each month for use when you, as an editor, need just a little more content or a great quip to fill out your magazine. Tips may be edited for style, length and content. Content is provided free of charge. Here’s the fifth of 12 tips to help you when you’re in a layout crunch . . .
Save Your Horse’s Mouth, Stop with Your Seat
You probably learned to “kick to go” and “pull to whoa” from the very start of your riding career. While this simplistic view of communicating with your horse may get you through the first few rides, you want to learn some finesse. While all the natural aids are important to master— seat, legs, hands and voice—your horse will feel your seat aids first. When you make sure that you’re using your seat correctly, you won’t have to pull so hard to make your horse whoa. Your refined and combined cues will save your horses mouth and ensure your horse gets your message as soon as possible.
No horse wants you to pull on the reins. Even with the lightest touch, your backwards rein cue means your horse feels metal in his mouth. What’s more, most horses want to stop; they’re fundamentally lazy and usually don’t need tons of rein pressure to stop. Your horse will be glad to stop when he feels your seat cue and before he feels pressure from the reins and bit. Sadly, most horses don’t know their riders want to stop until they feel a pull on their mouths. They haven’t been given the gift of a gentler aid given before a panicked pull on the reins. Learn to cue your horse in a sequence so he can learn to stop with subtle cues. Before you pull on the reins, make sure to say “whoa” and sit down on your pockets. This sequence—providing voice and seat aids before rein aids—will save your horse’s mouth and make him a happier, more willing partner.
END OF SHORT VERSION, PROCEED AS SPACE ALLOWS.
When you are in a balanced position on your horse, you are positioned directly over his center of gravity. He can feel your two seat bones pressing into the very sensitive part of his back. He can also feel your center of gravity in synchronization with his. To ask your horse to stop using your seat aid, simply exhale, drop your shoulders down toward your hips and feel your two seat bones push down and forward into his back. Your center of gravity shifts toward your horse’s hind end. As you sit down, your legs will naturally relax and move off the horse’s sides. This seat/weight cue is very easy for your horse to feel. When he has the option to respond to your stopping cue before he feels you pull on his mouth, he’ll happily and promptly stop.
Don’t hesitate to use your reins as reinforcements to your seat aid if your horse doesn’t respond right away. Continue to cue your horse with your seat before the reins and he’ll eventually figure out your new sequence of cues. Keep repeating until you see a difference. In my five-DVD series on riding, Goodnight’s Principles of Riding, there are comprehensive explanations and demonstrations of how to ride in balance and rhythm with the horse, how to use your natural aids for soft and subtle communication and advanced skills such as canter, lead changes, collection and lateral movements. Available from my website at http://www.juliegoodnight.com.
--Julie Goodnight, juliegoodnight.com
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